Tuesday, December 31, 2013

I just found an eyegasm goldmine.


Click for a better quality image.
Botafogo Bay and Rio de Janeiro at night, September 1920.
Taken by Carlos Bippus, National Geographic

To see even more incredible photos like this, click here for a curated selection of National Geographic's amazing unpublished archive of photos.

I'm potentially going to be up all night looking at these again and again, much to the boyfriend's chagrin.


Thursday, December 26, 2013



"My living legend is probably someone like Lydia Lunch, same age as me, but who ran away to NYC years prior (1974/5) and walked directly up to Wayne County and introduced herself. Also certainly John Lydon for reasons completely apparent by watching his confrontations with ding dong culture and media twerps."

- Thurston Moore



Sunday, December 15, 2013

Saturday, December 7, 2013



"Literary influence is like genetics, too. Rushdie got some of his fireworks from Günter Grass and Gabriel García Márquez. García Márquez got things from Kafka and Faulkner. So, with Middlesex, you could say I inherited traits from all these ancestors, not to mention good old Homer. But some of my stuff bears no relation to these writers. Different gene pool entirely.

Influence isn’t just a matter of copying someone or learning his or her tricks. You get influenced by writers whose work gives you hints about your own abilities and inclinations. Being influenced is largely a process of self-discovery. What you have to do is put all your influences into the blender and arrive at your own style and vision."

- Jeffrey Eugenides


Monday, December 2, 2013

Tuesday, November 26, 2013



Oh comely, I will be with you when you lose your breath,
Chasing the only meaningful memory you thought you had left.
With some pretty, bright and bubbly terrible scene
That was doing her thing on your chest.

But oh comely,
It isn't as pretty as you'd like to guess
In your memory, you're drunk on your awe to me
It doesn't mean anything at all.

Oh comely,
All of your friends are all letting you blow,
Bristling and ugly, bursting with fruits falling out from the holes
Of some pretty, bright, and bubbly friend 
You could need to say comforting things in your ear

But oh comely, 
There isn't such one friend that you could find here.
Standing next to me,
He's only my enemy 
I'll crush him with everything I own.

Say what you want to say
Hang for your hollow ways
Moving your mouth to pull out
All your miracles aimed for me.

Your father made foetuses with flesh licking ladies, 
While you and your mother were asleep in the trailer park.
Thunderous sparks from the dark of the stadiums,
The music and medicine you needed for comforting.
So make all your fat fleshy fingers to moving,
And pluck all your silly strings, bend all your notes for me.
Soft silly music is meaningful magical,
The movements were beautiful, all in your ovaries.
All of them milking with green fleshy flowers,
While powerful pistons were sugary sweet machines.
Smelling of semen all under the garden
Was all you were needing when you still believed in me.

Say what your want to say.
Hang for your hollow ways.
Moving your mouth to pull out
All your miracles aimed for me.

I know they buried her body with others,
Her sister and mother and five-hundred families.
And will she remember me fifty years later?
I wished I could save her in some sort of time machine.

Know all your enemies.

We know who our enemies are.

Goldaline, my dear,
We will fold and freeze together
Far away from here.
There is sun and spring and green forever.

But now we move to feel for ourselves inside some stranger's stomach.

Place your body here,
Let your skin begin to blend itself with mine.



Chris Knox and Stefan Neville on stage together followed by Neutral Milk Hotel.

Two of the greatest gigs of my life.




Saturday, November 9, 2013

Thursday, October 3, 2013

Breath by The Tall Dwarfs


Breath
(on Weeville album)

E       G       E        G     E      G     E      G      E      G     E      G
yeaaaaaaaaaaaaaah you're in my heaaaaaaaaaaaaaaad fill my heaaaaaaaaaaaaaad 
 G      B5    G     A                   E       B5        G       A       E          B5        G      A
fill my heaaaaaaaaaaaaad i'm alive i'm aliiiiiiiiiiiiiiiive i'm alive i'm aliiiiiiiiiiiiiiiiiive i'm alive 
     E               G              A              E    G    E    G    E    G
i'm alive yeah yeah yeah yeah yeah yeah yeah yeah yeah

when you're near i don't feel the same i don't feel the same 
i don't feel the same i'm alive i'm alive i'm alive i'm alive i'm alive 
i'm alive yeah yeah yeah yeah yeah yeah yeah yeah yeah

and i love you i love you i love you
i'm alive i'm aliiiiiiiiiiive 
i'm alive i'm aliiiiiiiiiiive
i'm alive i'm alive yeah yeah yeah
yeah yeah yeah
yeah yeah yeah

Define chords:



From Room to Breathe

Saturday, September 28, 2013

Wednesday, September 18, 2013



"Find what you love,
and let it kill you."

- Charles Bukowski


Tuesday, September 10, 2013



I'm trying to find my way home.
I'm sorry, and I miss you.


I'm in hell.


Saturday, September 7, 2013


No island is a man
lonely on all four sides
with the door left unknocked

and the bell left unrung,
waiting to be finished
with the wait so heavy

like the non-beat of a
bass drum, silent in its
unrest. The sound

rings steady upon
the unsoliciting shores.

— Stephen Leeds, “Unsound,” from issue 132, Fall 1994 of The Paris Review.

Tuesday, August 27, 2013



"Too weird to live, and too rare to die."

- Hunter S. Thompson, Fear & Loathing in Las Vegas