Botafogo Bay and Rio de Janeiro at night, September 1920.
Taken by Carlos Bippus, National Geographic
To see even more incredible photos like this, click here for a curated selection of National Geographic's amazing unpublished archive of photos.
I'm potentially going to be up all night looking at these again and again, much to the boyfriend's chagrin.
Thursday, December 26, 2013
"My living legend is probably someone like Lydia Lunch, same age as me, but who ran away to NYC years prior (1974/5) and walked directly up to Wayne County and introduced herself. Also certainly John Lydon for reasons completely apparent by watching his confrontations with ding dong culture and media twerps."
"Literary influence is like genetics, too. Rushdie got some of his fireworks from Günter Grass and Gabriel García Márquez. García Márquez got things from Kafka and Faulkner. So, with Middlesex, you could say I inherited traits from all these ancestors, not to mention good old Homer. But some of my stuff bears no relation to these writers. Different gene pool entirely.
Influence isn’t just a matter of copying someone or learning his or her tricks. You get influenced by writers whose work gives you hints about your own abilities and inclinations. Being influenced is largely a process of self-discovery. What you have to do is put all your influences into the blender and arrive at your own style and vision."
(on Weeville album)
EG E G E G E G E G E G
yeaaaaaaaaaaaaaah you're in my heaaaaaaaaaaaaaaad fill my heaaaaaaaaaaaaaad
G B5 G A E B5 G A E B5 G A
fill my heaaaaaaaaaaaaad i'm alive i'm aliiiiiiiiiiiiiiiive i'm alive i'm aliiiiiiiiiiiiiiiiiive i'm alive
E G A E G E G E G
i'm alive yeah yeah yeah yeah yeah yeah yeah yeah yeah
when you're near i don't feel the same i don't feel the same
i don't feel the same i'm alive i'm alive i'm alive i'm alive i'm alive
i'm alive yeah yeah yeah yeah yeah yeah yeah yeah yeah
and i love you i love you i love you
i'm alive i'm aliiiiiiiiiiive
i'm alive i'm aliiiiiiiiiiive
i'm alive i'm alive yeah yeah yeah
yeah yeah yeah
yeah yeah yeah
Define chords:
I haven't had the time to see nearly as many films as I would have liked to but the ones I have seen have been brilliant.
I saw my favourite Alfred Hitchcock film, North by Northwest, on the big screen a couple of weeks ago...
It was wonderful, of course.
Yesterday I went to the Animation Now 2013 showcase. My favourite of the seven I saw was Oh Willy, which was written and directed by Marc James Roels and Emma De Swaef.
Last night I saw A Field In England, which was simply incredible. I loved every moment. Reece Shearsmith was just the best, of course. And now I'm happier than ever that I've been following his career all these years.
Michael Smiley had a main role too, and it was pretty cool to see him playing a bad guy for once, since his career used to be mainly in stand up comedy.
Last Saturday I went to the NZ Short Film finals which was interesting. We had to vote at the end which I have to say was quite challenging. I never like picking favourites but the last film, Friday Tigers, kind of blew the rest away to be honest. I highly recommend it if you can find it.
Tomorrow I am seeing The Deadly Ponies Gang, which looks pretty exciting.
And Friday I am expected at Magic Magic. We will see how much work I am stuck with though!
Plus this guy kind of annoys me. Although he was pretty great in This Is The End.
Speaking of apocalypse films...I didn't see it as part of the festival, but World's End was pretty great.
The best comic art I have seen in so, so long.
I am supposed to be working on my serial killer board game but I cannot stop looking at these comics and laughing my butt off.
My love, do you recall the object which we saw, That fair, sweet, summer morn! At a turn in the path a foul carcass On a gravel strewn bed,
Its legs raised in the air, like a lustful woman, Burning and dripping with poisons, Displayed in a shameless, nonchalant way Its belly, swollen with gases.
The sun shone down upon that putrescence, As if to roast it to a turn, And to give back a hundredfold to great Nature The elements she had combined;
And the sky was watching that superb cadaver Blossom like a flower. So frightful was the stench that you believed You’d faint away upon the grass.
The blow-flies were buzzing round that putrid belly, From which came forth black battalions Of maggots, which oozed out like a heavy liquid All along those living tatters.
All this was descending and rising like a wave, Or poured out with a crackling sound; One would have said the body, swollen with a vague breath, Lived by multiplication.
And this world gave forth singular music, Like running water or the wind, Or the grain that winnowers with a rhythmic motion Shake in their winnowing baskets.
The forms disappeared and were no more than a dream, A sketch that slowly falls Upon the forgotten canvas, that the artist Completes from memory alone.
Crouched behind the boulders, an anxious dog Watched us with angry eye, Waiting for the moment to take back from the carcass The morsel he had left.
— And yet you will be like this corruption, Like this horrible infection, Star of my eyes, sunlight of my being, You, my angel and my passion!
Yes! thus will you be, queen of the Graces, After the last sacraments, When you go beneath grass and luxuriant flowers, To molder among the bones of the dead.
Then, O my beauty! say to the worms who will Devour you with kisses, That I have kept the form and the divine essence Of my decomposed love!